KARINE DESHAYES

MEZZO-SOPRANO - Chamber music

After brilliant musical studies having been a pupil of Mireille Alcantara and receiving advice from Régine Crespin, Karine Deshayes first joined the troupe of the Lyon Opera, where she performed in the roles of Cherubino, Stephano, among others, and especially in her first Rossini role as Rosina.
His career quickly took off afterwards. She was invited to perform on all the major French stages: Avignon, Lyon Strasbourg, Marseille, Toulouse, Tours, Chorégies d’Orange, Bordeaux etc. She regularly performed at the Paris Opera where she won great acclaim in the Rossini roles of Angelina, Rosina, Elena, but also as Poppea in Monteverdi’sL’incoronazione di Poppea, Sesto (in Handel’s Giulio Cesare), Romeo (in Bellini’s I Capuleti e I Montecchi ) and in the Mozart roles of Cherubino and Dorabella. It was also at the Paris Opera that she took on the role of Carmen for the first time, as well as the role of Charlotte in Werther.

©Aymeric Giraudel

After brilliant musical studies having been a pupil of Mireille Alcantara and receiving advice from Régine Crespin, Karine Deshayes first joined the troupe of the Lyon Opera, where she performed in the roles of Cherubino, Stephano, among others, and especially in her first Rossini role as Rosina.
His career quickly took off afterwards. She was invited to perform on all the major French stages: Avignon, Lyon Strasbourg, Marseille, Toulouse, Tours, Chorégies d’Orange, Bordeaux etc. She regularly performed at the Paris Opera where she won great acclaim in the Rossini roles of Angelina, Rosina, Elena, but also as Poppea in Monteverdi’sL’incoronazione di Poppea, Sesto (in Handel’s Giulio Cesare), Romeo (in Bellini’s I Capuleti e I Montecchi ) and in the Mozart roles of Cherubino and Dorabella. It was also at the Paris Opera that she took on the role of Carmen for the first time, as well as the role of Charlotte in Werther.

Karine Deshayes’s vast repertoire has allowed her to perform regularly in concert and recital under the direction of such conductors as Emmanuel Krivine, David Stern, Kurt Masur, Emmanuelle Haïm, Louis Langrée and Myung-Whun Chung, and with such artists as Philippe Cassard, Renaud Capuçon, Nicolas Angelich, L’Ensemble Contraste, the Quatuor Ebène, the Mahler Chamber Orchestra, and many more. 


At the Victoires de la Musique Awards in 2016, Karine Deshayes was named Lyric Artist of the Year for the second time in her career.

Her last recording, « Rossini », with the Ensemble Les Forces Majeures, has just been released (Label Aparté).

Future plans include  the role of Elena (Donna del Lago) in Marseille, Marguerite (Damnation de Faust) in Nice, Charlotte (Werther) in Toulouse and many concerts and recitals.

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